publications
2009 Morris, K., “Reading Between the Lines: Text and Image in Contemporary Native American Art”, American Indian Art Magazine. Winter.
2008

Garroutte, E.M., “Challenging Authenticity: Contemporary Artists’ Contributions to American Indian Intellectual Sovereignty”, Foundation of First Peoples’ Sovereignty, Wiethaus, U.(ed), Peter Lang, New York, 225-242.
                                              
Congdon, K.G., Hallmark, K.K., Twentieth Century United States Photographers, Greenwood Press, Philadelphia.
                       
Stone, J. and J. Upton, Photography 9/E, Prentice Hall, Upper Saddle River, NY.

Glenn, C., The Harbrace Guide to Writing, Page to Page, Tucson, AZ.

Marshall, Cora, “Cultural Identity, Creative Processes, and Imagination: Creating Cultural Connections through Art Making”, The Journal of Cultural Research in Art Education.

2007

Hesford, W.S. and B. Brueggemann, Rhetorical Visions, Prentice Hall, Saddle River, NY.

London, B., Stone, J., Upton, J., Photography: The Essential Way, Prentice Hall, Upper Saddle River, NY.

2006

Ruszkiewics. Beyond Words: A Visual Reader, Pearson Publishing, New York.

Hamill. Going Indian, University of Illinois Press, Chicago. (cover).

Virtuoso Insights, Seattle, Jan/Feb.

2005

Hesford, W. and Brueggemann, Rhetorical Visions, Pearson Publishing, Boston.

Wald, C., The Resilient Writer: Tales of Rejection and Triumph from 23 Top Authors, Persea Books, New York.

London, B., Upton, J., Stone, J., Kobre, K., and B. Brill, Photography 8/E, Prentice Hall, Upper Saddle River, NY.

2004

Holt, Rinehart & Winston, Holt Literature & Language Arts, Austin.

Passalacqua, V., “Hulleah J. Tsinhnahjinnie: Portraits Against Amnesia”, Encounters, Lewis and Clark Museum, Portland, OR.

Passalacqua, V., “Hulleah J. Tsinhnahjinnie: Portraits Against Amnesia”, Public/Private: Tumatanui/Itiatamut, Auckland Art Gallery, Auckland, NZ.

2003

Pasa Tiempo, The Santa Fe New Mexican, August (cover).

Passalacqua, V., “Hulleah J. Tsinhnahjinnie”, Path Breakers: The Eiteljorg Fellowship for Native American Fine Art, 2003 Eiteljorg Museum and University of Washington Press, Indianapolis and Seattle: 80-99.

2002

Harry, D., “Genetics and Native Identity”, Native Americas: Who’s An Indian: Tribal Membership and Indian Status, vol.19, no.1&2.

Glencoe/McGraw-Hill, Glencoe Literature: The Reader’s Choice, Chicago.

Glencoe/McGraw-Hill, Presentation Plus! World Literature, Columbia, (electronic teaching publication).

2001

Lobo, S. and K. Peters, Eds., American Indians and The Urban Experience, AltaMira Press, Walnut Creek.

Greensfelder, S., “CIBA 2001 Gathering”, News from Native California, vol.15, no.1: cover, 18.

2000

Hammond, H., Lesbian Art in America, Rizzoli, New York.

Abbott, L., “Artists of Change:  Breaking through the Millennium”, Native Peoples, vol.13: 50-51.

Feest, Christian F. The Cultures of Native North America. Cologne, Germany: Konemann.

1999

Lippard, L., On the Beaten Track, The New Press, New York.

Squiers, C., ed., Over Exposed:  Essays on Contemporary Photography, The New Press, New York.

Mikolaj, H.M., Altering the Discourse, Joseph Gross Gallery, Tucson.

Farris, P., ed. , Women Artists of Color:  A Bio-Critical Sourcebook to 20th Century Artists in the Americas, Greenwood Press, Westport.

Denker, D., “Photographer Tells Stories with Her Work”, Wind Speaker, vol.16, no.11, March.

1998

Hopkinson, A., “Trail of Tears Behind the Smiles”, The Independent on Sunday, September 27.

Jensen, J.M., “Native American Women Photographers as Storytellers”, Women Artists of the American West.

Harlan, T., “Indigenous Photographies:  A Space for Indigenous Realities”, Native Nations: Journeys in American Photography, Barbican Art Gallery, Booth-Clibborn, London.

Teilhet-Fisk, J. and R. F. Nigh, Dimensions of Native America:  the Contact Zone, Florida State University, Talahassee.

1997 Lahs-Gonzales, O. and L. Lippard, Defining Eye:  Women Photographers of the 20th Century, The Saint Louis Art Museum, Saint Louis.
1996

Faris, J.C., Navajo and Photography: A Critical History of the Representation of an American People, University of New Mexico Press, Albuquerque.

Lippard, L., Parallaxis:  55 Points of View, Western States Federation, Denver.

1995

Harlan, T., “Creating a Visual History:  A Question of Ownership”, Strong Hearts: Aperature, New York, Summer: 20-32.

Rickard, J., “Sovereignty: A Line in the Sand”, Strong Hearts: Aperature, New York, Summer: 20-32.

Harlan, T., “Hulleah Tsinhnahjinnie”, The Light Work Annual:  Contact Sheet 86. Syracuse: 15-18.

Harlan, T., “As in Her Vision: Image Making of Native Women”, Reframings:  New American Feminist Photographers, Temple University Press, Philadelphia.

1994

Bush, A.L. and L.C. Mitchell, The Photograph and the American Indian, Princeton University Press, Princeton.

Group for Photographic Intentions, Native Americans in Photography & Film:  Praising the Spirit. Tucson.

National Museum of the American Indian, This Path We Travel:  Celebrations of Contemporary Native American Creativity, Smithsonian Institute, Washington DC.

Harlan, T., “To Watch, To Remember, To Survive”, Watchful Eyes, Heard Museum, Phoenix.

Van Biema, D., “Of Spirit and Blood” (review of NTV), TIME, October 31.

Tremblay, G., “Hulleah Tsinhnahjinnie: Taking Risks”, Reflex, vol.8, no.6, December 94/January 95.

Wong, J., “Photographic Memoirs’ Displays Showcases True American Art”, The California Aggie, November 16.

Nixon, B., “Hulleah J. Tsinhnahjinnie at the CN Gorman Museum”, The Guide, December.

O’Driscoll, M., “The Silent Majority Speaks Out”, San Francisco Arts Monthly, February.

1993

Rapko, J., “Sovereignties:  Hulleah J. Tsinhnahjinnie at the San Francisco Art Institute”, Artweek, vol.24, no.9, May 6: 4-5.

Jenkins, S., “A Conversation with H.J. Tsinhnahjinnie”, Artweek, vol.24, no.9, May 6.

Tremblay, G., "Constructing Images, Constructing Reality:  American Indian Photography." VIEWS:  The Journal of Photography in New England 13-4/14-1: 8-14.

Harlan, T., “Message Carriers: Native Photographic Messages.” VIEWS: The Journal of Photography in New England 13-4/14-1.

Bielski, V., “Blood Feud”, SF Weekly, vol. XII, no.32, October 6.

Hammond, H., “Resistances: Cultural Tourism and Native Resistance Through Self Representation”, THE Magazine, vol.1, no.11, June.

McFadden, S., “Report from Istanbul, Bosporus Dialogues”, Art in America, vol.1, no.6, June.

1992

Lippard, L., ed., Partial Recall, The New Press, New York.

Tremblay, G., “Reflection on ‘Mattie Looks for Steve Biko’: a Photograph by Hulleah Tsinhnahjinnie”, Partial Recall, The New Press, New York.

Fost, D., “Art in Honor of their Ancestors”, Marin Independent Journal, San Rafael, CA, October 13.

Harlan, T., Ancestral Memories, Falkirk Cultural Center, San Rafael, CA

Freudenheim, S., “Centro’s Show Loses USIA Help”, Los Angeles Times, San Diego County, Section F, September 19.

Heath, J., “Women Artists of Color Share World of Struggle”, The Sunday Camera, Boulder, CO, March 8.

1991

Lobo, S., “Youth Express Mural”, News from Native California, vol.6, no.1, Winter 91/92.

Cadden, W. and F. Candi, History:  Truth or Consequences, Salad Bar, San Francisco.

Faller, M., "Positive Vision:  An Interview with Hulleah J. Tsinhnahjinnie." Center for Exploratory and Perceptual Art(Fall).

Strickland, R., Shared Visions, The New Press, New York.

Faller, M., “Positive Vision”, Center for Exploratory and Perceptual Art Quarterly, August.

1990

LaMarr, J., M. Martinez, et al., Talking Drum/Connected Vision, Salad Bar, San Francisco.

Lippard, L., Mixed Blessings: New Art in Multicultural America, Pantheon Books, New York.

Lasco, S.R., “Native American Artists Keep Art in the Family”, San Francisco Arts Monthly, vol.1, no.5, August.

Lineberry, H., “Return of the Natives”, New Times, July 4.

Pyne, L., “Heard to Focus on Indian Photographers”, The Phoenix Gazette, June 15.

Daley, V., “Rare View of Indian Culture: From Inside”, Sacramento Bee, July 8.

1989

Salaver-Garcia, L., “As in Her Vision”, Unity, vol.12, no.5.

McWillie, J., “The Migrations of Meaning”, Visions, vol.3, no.4, Fall.

1988 Roth, M., Ed., Connecting Conversations:  Interviews with 28 Bay Area Women Artists, Eucalyptus Press, Oakland.
1985 Valerde, M., “Living in Two Worlds”, Sacramento Bee, July 7.