artist publications

'07 (forthcoming) Lidchi, H. and Tsinhnahjinnie, H.J. (eds.), Visual Currencies: Native American Photography, National Museums of Scotland, Edinburgh.

'07 (forthcoming) Tsinhnahjinnie, H.J. and Passalacqua, V. (eds.), Our People, Our Land, Our Images: International Indigenous Photography, Heyday Books, Berkeley.

'06 (forthcoming), Tsinhnahjinnie, H.J., Our People, Our Land, Our Images, Native Peoples Magazine, Nov/Dec.

’04 Tsinhnahjinnie, H. J., “Native American Photography", The Oxford Companion to Photography, Oxford University Press, Oxford.

’03 Tsinhnahjinnie, H. J., “When is a Photograph Worth a Thousand Words?”, Photography's Other Histories. C. Pinney and N. Peterson. Duke University Press, Durham and London: 40-52.

‘00 Tsinhnahjinnie, H. J., “Most Hesitation Is Not Without History”, Intimate Rituals and Personal Devotions: Spiritual Art through the Ages, Samuel P. Harn Museum of Art, Gainesville.

‘00 Tsinhnahjinnie, H. J., “Native to Native”, Native Peoples, vol.8, no.2, Feb/Mar.

‘00 Tsinhnahjinnie, H. J., “Hulleah Tsinhnahjinnie”, The Light Work Annual: Contact Sheet 107, Light Work Visual Studies, Syracuse: 10-15.

’98 Tsinhnahjinnie, H. J., “When is a Photograph Worth a Thousand Words?”, Native Nations: Journeys in American Photography, Barbican Art Gallery and Booth-Clibborn Editions, London, England.

’97 Tsinhnahjinnie, H. J., “Women of Hope”, 1199's Bread and Roses Cultural Project, New York.

’94 Tsinhnahjinnie, H. J., “Photographic Memoirs of an Aboriginal Savant”, CN Gorman Museum, University of California Davis, Davis, CA.

’93 Tsinhnahjinnie, H. J., “Compensating Imbalances”, Exposure , vol.29, no.1.

’93 Tsinhnahjinnie, H. J., “Nobody's Pet Indian”, San Francisco Art Institute, Walter/McBean Gallery, San Francisco.

’93 Tsinhnahjinnie, H. J., “Proving Nothing”, Crosswinds, vol.5, no.9, May 6.